MIMO 2016 Review

Adobe SparkRunning since 2004, MIMO (Mostra Internacional de Música de Olinda) is a free festival of music, film and education held in the Brazilian cities of Ouro Preto, Tiradentes, Paraty, Olinda and Rio de Janeiro. While originally celebrating music made in Brazil, in more recent years it has branched out to feature an international lineup. For the 2016 edition in Rio de Janeiro, mornings and early afternoons provided audiences with workshops on topics from Cúmbia to singing in West African music, while evenings saw artists play to thousands in the city’s public parks.

On Saturday, Brazilian singer-guitarist João Bosco was joined by bandolimist Hamilton de Holanda for their project ‘Eu vou pro samba’, a modern revival of samba classics. New arrangements of tracks by artists such as Dorival Cayma, Tom Jobim and Ary Barroso, highlighted de Holanda’s skill as a musician, while the familiarity allowed the home crowd to join in, singing and taking to Praça Paris fountain to dance barefoot.

The highlight of the weekend came in the form of Pat Thomas and Kwashibu Area Band. Arriving on stage all in white, the Ghanian musician played an energetic set of highlife and afrobeat music that saw the crowd rarely standing still. As the rain began to pour, the revellers continued undeterred, the rhythmic bongos and punchy brass of the band creating a party atmosphere. Returning for an encore to cheers from the appreciative audience, Pat Thomas justified his name as the Golden Voice of Africa.

Taken from the January/February issue of Songlines.

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